How important is Jóhann’s contribution to the 21st century?

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Jóhann Eyfells with M.J. Neal

“We shall never surrender”. Those were the words that Winston Churchill pronounced at the wake of the Nazi Invasion of France in 1940. In 2017, there is another invasion that has been going on for many years, perhaps decades, and that is the mediocrity of art and  of the apparent corruption that seems to have permeated the Art world, where art is considered to be nothing more than a commodity and a means to exclude and even extinguish out of existence many meaningful and important artists of our time. Art can be equated to mean anything that requires a certain level of creative planning, execution and outcome. The outcome of that narrative begins the moment the art piece, like a sculpture, is shown to a receptive audience. However, what determines whether the art is successful and important is not necessarily through exhibition, peer or public scrutiny, or how complex and successful the narrative is, but rather is sometimes judged and priced arbitrarily by an elite group of art buyers, collectors and critics.

The question is how do we know if the art is good, and how can we determine that for ourselves? Some say that “art is subjective, and not all art is for all people.” Whether someone likes it or not, art should have a number of criterias that can determine whether the art is important and meaningful to someone(s). Here is something I found that might guide us a little.

“How to Judge Art: Five Qualities you can Critique whether you’re an Artist or not.”

“The characteristics I found were beauty, skill, inherent meaning, uniqueness, and fulfilled intent. I’ll explain each of these throughout the article.

I’m convinced that anyone can use their own fundamental knowledge to compare artwork based on these five inherent properties. Even if other people have a different opinion than you do about a particular work of art, this article should help you explain how you came to your conclusion.

All right, so on the basis that all art is not created equal, let’s get to the nitty-gritty and break down these five characteristics of art.

Beauty in Art

Beauty is, and always will be, in the “eye of the beholder.” Your decision about the beauty or lack of beauty in a particular work of art is instinctive and natural. In fact, you probably won’t even have to make that decision, you’ll just either be captivated by a piece of art or you won’t.

People within the same social context often agree on what is beautiful, so you’ll probably find others close by who will like the same things as you do. Some aspects of art that are generally appealing to people are:

1. Repeating shapes, patterns, and symmetry.
2. Colors, especially colors that complement or enhance each other.
3. Textures, both visual and physical (like thick, impasto paint).
4. Crops and compositions that focus the eye and keep the viewers’ attention.
5. Movement or flow to guide viewers through the art.
6. Correct or appealing proportions of figures and objects.
7. Presentation and framing.

You won’t need to take a checklist into the galleries for this since your eye will naturally be drawn to the art you prefer. Like I mentioned before, this is the easy one. All you have to do is answer the question, “Do I like this?” Of course, if you decide to ask why you like it, then the list above might come in handy.

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Skill and technique

Technical skill is the most comparable and measurable aspect of art. As you look at a painting (or any other work of art) you probably will be able to determine how skillfully it was created simply by comparison with other works.

First, compare the works to other art you’ve seen in that medium before – if it is a painting, for example, decide whether this artist is more talented than others you’ve seen. It might be difficult if you’re just starting out, and in that case, don’t let it worry you. It will only take a short amount of time for you to see the differences between a skillful painting and one that’s poorly done.

Second, look at all the artwork on display by the artist. You might find that some are more impressive than others, or appear better made, and you’ll certainly have an idea of one or two that are the best out of the entire group.

Third, look at each work of art itself. Are they individually consistent? Are there places that you can see odd markings compared to another area within the same piece? Sometimes art may look rushed or strange, but if it is created in a similar fashion throughout the entire piece then the effect is most likely intentional. If not, then that work may not be as good as some others that are more internally cohesive.

Judging the level of skill in a work of art is probably the most difficult thing I’m suggesting to do in this article. Over time and with more exposure to art you will eventually come to a greater understanding of different mediums. Plus, if you’re lucky enough to be an artist yourself you’ll probably find out that you instinctively have a better grasp of other mediums already.

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Inherent meaning

Art is powerful, not just for its beauty or the talent needed for its creation, but because it can cause emotion, make political statements, or challenge preconceived ideas. Of course not all works of art are intended to be so thought-provoking. A still life of oranges and apples, for example, usually won’t have a deeper meaning. If it does, I think the artist deserves more credit than for a traditional still life.

Here are five levels of meaning in art, which I’ve listed in order of increasing importance.

1. Purely representational art – Made simply for visual appeal, with no deeper intent.

2. Art that references other art – It “tips its hat” to some other work, possibly providing a fresh perspective or continuing a conversation that another artist began.

3. Art that tells a story, or evokes a specific emotion – This is art that begins to affect you. It might cause you to understand, empathize or feel what’s being depicted.

4. Art that makes a statement – Here the artist is clearly speaking through the work, actively promoting a cause or perhaps bringing attention to an issue that’s important to him or her.

5. Art that is an allegory or metaphor – This is art that contains more than one meaning, and possibly several. It use symbolic imagery or deal with more intangible human issues, and yet the artwork should still work as a visually appealing creation.

Look for these when you look at art. Finding meaning or emotion in art opens up a whole new realm of enjoyment, and will deepen your appreciation of artists who incorporate it into their work.

Uniqueness

This is the aspect of art which relates to not only what the artist is depicting but also how the artist is depicting it.

Good art either explores new subjects, or old subjects in a way that hasn’t been done before. When you look at art, ask yourself what (if anything) is different in the work from all the other art you’ve seen. Sometimes it will jump out at you, sometimes it won’t. If you do notice something different, decide for yourself whether that unique quality distracts from or enhances the piece.

There’s a happy medium, I believe, in finding art that stands out from the crowd but doesn’t use gimmicks or cause distractions.

Fulfilled intent

What is the artist trying to say? I hear this question a lot, and for the most part there’s a simple way to find out. If you’re at a gallery, read the artist statement. Many artists just want to accurately portray a subject, or to express an emotion. The important thing is for the artist to be in control of the art. If the intent is one thing, the art shouldn’t say something else. The artist statement should deepen and strengthen the viewers’ understanding of the art.

Cezanne still life with flaskI’d suggest that when you go to a solo show, briefly scan all of the works being displayed so you can get an idea of the artist’s style and note any constant themes, emotions, or ideas.

Then go through each piece of art again, but more slowly, to really study them. Take your time and determine what you think of each one according to the five characteristics mentioned in this article. After that, check out the artist’s statement.

Compare the artist’s intent with what you had previously understood the intent to be, and then armed with that knowledge (trust me, sometimes it’ll blow your mind) make one last round of the gallery to see how your opinions have changed.

If you experienced the artist’s intent before reading the statement, excellent. If you only got it after reading the artist’s statement, that’s OK too, just not quite as good.

This method keeps the art from being overshadowed immediately by what the artist is saying about his or her work. It lets the art speak for itself, yet the artist still gets a chance to clarify what is meant in case you miss the point on your own.

Of course, if you can’t even understand what the artist is saying in the artist statement, then just try to enjoy the art for its visual impact and don’t worry about it. The intent probably wasn’t very clear for that artist either.

To sum it all up:

Good art should appeal to you. It will be skillfully made, most likely by an artist who has created other works in a similar fashion.

The best art has meaning beyond just an image; perhaps it will bring you to tears, make you laugh, or remind you of something you’d almost forgotten. It also stands out in a crowd, and dares to be different.

Most importantly (in my opinion) good art is understandable, although it may make you think in ways you never expected to.

I hope you found this article helpful; I know that in writing it I’ve solidified some of my own views about art. Feel free to send me your own comments or feedback as well.”

*All images in this post are details from still life paintings by Cezanne.”

In the end, art is nothing more than a commodity, and its value is arbitrary, unless someone(s) is willing to break the mold and take the risk and forfeit actual money for the piece, due to its inherent value to the collector, not the value determined by those market forces. People who have the means to buy art are less likely to forfeit money on art that is not deemed “marketable” in the Art World. If the work is not deemed valuable by market demand, than the art is “un valued.” By the way, not all marketable art is good art, and it seems that the world has ignored that fact for many decades now.

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Jóhann Eyfells, at 94, is without a doubt one of the most diverse and important artist of the 20th and 21st centuries. However, the recognition he has sought has been as elusive as the collectors for his work. Why? Very simple he doesn’t play the game that most recognized artists have, and he is to many collectors, buyers and critics untamed and enigmatic. His body of work challenges the viewer by its impressive forms, diversity, physical size & weight, and its inherent deeper meanings. He is one of the most true and honest artist that this world could ever hope to produce today, whose creative process is deep, precise, and multidimensional. He brings to this world an opportunity to not only peer into the unknowing universe that resides around us, but also within our own consciousness. He needs our attention, because this world desperately needs him to help us out of our mediocrity and growing lassitude.

 

 

Jóhann Eyfells will never surrender because what keeps him alive is not whether he will be accepted, appreciated or if his work will sell, but because he embodies the spirit of an artist, continuously searching for the opportunity to express what words can’t possibly express about ourselves and the universe we belong to.

 

 

My life with Jóhann

It is a rare moment when I can fully reflect on my life and acknowledge how a single human being has significantly influenced my life.  But after almost 10 years of knowing Jóhann Eyfells, as an artist and a human being, I have finally managed to do just that.

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The art of Johann Eyfells is not an embodiment of the person but rather an expression of  something beyond the person, beyond the rational constructs of modern civilization that have shaped our physical lives. When you stand and face an Eyfells’ sculpture be prepared to be intellectually, psychically and spiritually challenged. You are about to enter a reality that is both unfamiliar and irrational. It is truly the unknown, seemingly chaotic, which most of us will avoid at all costs.

I have no doubt now, that Jóhann Eyfells is as nimble, precise and swift with his understanding of the cosmos and the physical world we live in, as he was in the ring as a boxing champion in Iceland. It is with this almost ‘supernatural’ agility that he is able to conceptualize and execute all of his projects, whether it is his collapsions, in which ‘time’ as an abstract concept is visually revealed, his cairns, his rocks or his multiple installations of ‘industrial made’ found objects of massive proportions, sometime weighing up to 14 tons.

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And let me tell you, when I stop to think how a 92 year old, whose body is as fragile as porcelain, can manage to lift and precisely position these huge rusted steel remnants of an industrial age past to satisfy his aesthetic compulsion as an artist, I am often left speechless and astonished.

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Yes, indeed, he often sees the inherent beauty of something that would otherwise seem obsolete and discarded to most of us seemingly ‘forward thinking’ humans, and that is precisely what these objects have become to him, beautiful expressions of human engineering and brilliance. Recently, they have become necessary and critical components to articulating to the world our often unsettled and sometimes fearful relationship with the unknown and irrational. It does seem ironic that he uses the very elements that not only embody the rational and physical world, manufactured tools and elements of the industrial age, like giant turbine propellers, to open our minds to the unfamiliar seemingly insane world of Eyfells.

As a true artist, he tirelessly challenges our tendency towards complacency, brought on by the comforts and conveniences of the industrial, electronic and now, digital age. I see him as the Don Quixote of the 21st century, tirelessly and against all odds, confronting the rational world, except this time he does not represent a tragic character that ultimately gives in to ‘convention’ and renounces his ‘insanity’ to become a mere shepherd. No, instead, he selflessly provides us with the opportunity to see for ourselves how collectively we can easily be allured by the deceptiveness of rational thought, that it is ok to embrace the irrational, the unknown. He is our new hero, without a doubt, and it will take us a little while to realize this. Its highly probable that he will not see this revolution of thought take hold before he passes on, but I would hope that he will bare witness to a larger audience and more global appreciation of his accomplishments.

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If WE are willing and courageous enough to allow ourselves to be immersed into the unknown and uncharted aspects of our intellect and psyche, I promise, like I have, YOU will in fact see the light and wisdom of Jóhann’s aesthetic expression and art, and as a result, be forever transformed.

Today, thanks to the insight I’ve gained through Johann’s work and vision, I feel I am at a better place in my life, simply because I am not defeated by the fear of the unknown. In fact, it is that fear that signals that part of me to move forward instead of backward, to take risks and ‘leaps of faith’. It is also through those ‘leaps of faith’ that I discover new understanding, not only of myself, but of the cosmos around me. I will certainly miss Jóhann when he is no longer with us, but his insight and joy of life will eternally course through my veins.        Written by Hayden de M. Yates

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Photos by Hayden de M. Yates and Ian Candler

To see the trailer of the new documentary film, A Force in Nature, go to the following link:  https://vimeo.com/135532487

Redefining Art in the 21st Century.

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Jóhann Eyfells, a defyingly driven 89 year old Icelandic sculptor living in Texas, redefines the meaning and purpose of art for the 21st century. Art is no longer a commodity or something that is there merely as a status symbol or to satisfy a superficial aesthetic need. It has a higher more profound purpose, to reformulate human consciousness. It is there to remind humanity of its own eternal infinite nature that goes beyond time and space. As a young man in Iceland, he was considered to be an exceptional boxer who had never experienced defeat. He would win over his opponent not because he was stronger, but because he would be faster, infinitely so. Boxing provided him with a glimpse of a boundless universe in which everything traveled at infinite speed.

Through Jóhann’s penetrating insight and body of work, we can begin to catch a glimpse at an infinite and ‘unknowable’ universe that resides around us…in spite of our precarious fondness of the visible and physical world.

“Complacency is the unwillingness to explore the chaotic unknown and the undefinable, and resigning ourselves to the coziness of the knowable.” Hayden de M. Yates

Jóhann’s fiery loyalty and commitment had not always been limited just to art. At 23, he left his home in Iceland, land of fire and ice, to forge a new life in America, where he would eventually meet the love of his life, Kristin, also an Icelandic sculptor/painter, with whom he would spend the next 54 years.

Jóhann and Kristin, in their undiluted love for one another would both become consummate and masterly artists, each pushed by the other’s genuine passion and tenacious commitment to their craft, as an expression of humanity and beyond.

And here is some info about A Force in Nature, a feature documentary film due out in Spring or summer of 2013. The password is “spirals”.

You can join us on Facebook at Friends of Jóhann Eyfells
Twitter: @haydenyates

Take a look at a few scenes from our film below. Don’t forget the password:
http://vimeo.com/135532487