We did it! “Best Documentary Film”

JohannSunset

Our film had its US premiere in Fredericksburg, Texas. It had a tremendous reception. It won the “Best Documentary” category at the 2017 Hill Country Film Festival. As the director and co-producer, I cannot say enough about the experience of watching our own film, A Force in Nature, in front of a live audience. It was a very moving and emotional moment, probably the most satisfying I’ve ever experienced in my entire life.

What a way to introduce this film to the world. It had its American premiere in Fredericksburg, Texas, the very spot where the film began filming, almost 10 years ago. On September 28 – October 8, 2017 the film will have it’s European Premiere at the Reykjavik International Film Festival where Jóhann Eyfells was born. This promises to be quite a homecoming for the artist and his priceless body of work.

 

Advertisements

World Premier at the 2017 Hill Country Film Festival – April 27-30

 

I don’t know if I am awake or dreaming any of this, or if in fact the making of our film, A Force in Nature, has reached its final conclusion, giving way to a new phase in the film’s life cycle. We helped it along through its conception and development, and now it’s about to be born out for the world to see and experience for the first time.

Finishing A Force in Nature was undoubtedly a personal challenge for me. Through the course of the ten years of production/post-production, I would often wonder if it would ever get finished, especially since this film was mostly self-funded. The close collaboration I had with co-producer and editor Vishwanand Shetti (aka. V.) during the past 6 years was not only an extraordinary opportunity to learn the art of perseverance and patience with getting the project finished, but also afforded V. and I the space to explore the depths of Jóhann’s life and his thought provoking art installations.

Screen Shot 2017-04-08 at 10.49.07 AM.png

The 2017 Hill Country Film Festival will be where the film will have its first public exhibition on Saturday, April 29. For me personally, this process of making this film has also fostered a long and lasting collaborative friendship with both V and Jóhann Eyfells, who continue to have an unwavering influence on me as a human being and artist.

Being an artist is nothing short of insanity, yet its the type of insanity the world needs right now, desperately! Its the right kind of insanity, in which we are challenged to allow ourselves to experience the unexpected and spontaneous, and be aware of the forces that keep us complaisant and indifferent. When taking action or making a gesture, an artist does so without hesitation because he/she knows that the expression itself has to be authentic and immediate. The artist does not allow fear to dictate the decisions and choices he/she makes, but rather fear is merely there to signal that an action and/or thought is to take place.

As is often the case, when in the presence of Jóhann, one is constantly put to the intellectual test. Recently, Jóhann Eyfells and I discussed the difference between the concepts of “instinct” and “intuition”. He asked me if I knew the difference. Hesitantly, I responded that I thought I had good intuition and instinct and admittedly used both words interchangeably, not really aware of the difference. Jóhann was quick to point out the difference to me, explaining that “instinct”, which comes from deep within our nature to feel, is spontaneous and tireless, while “intuition”, which is more connected with intellectual reasoning, is more deliberate and sluggish. That got me thinking. Once more Jóhann challenges me to get in the ring and participate in the fight against complacency, and to do that, I must be willing to jump headfirst into the dark abyss, in other words, the unknown.

Do you know the difference between “instinct” and “intuition?”

Hayden de M. Yates (director and co-producer)

Visit HillCountryff.com and book your festival passes now. A Force in Nature will be screening on Saturday, April 29 at 11am.

My life with Jóhann

It is a rare moment when I can fully reflect on my life and acknowledge how a single human being has significantly influenced my life.  But after almost 10 years of knowing Jóhann Eyfells, as an artist and a human being, I have finally managed to do just that.

JohannHayden

The art of Johann Eyfells is not an embodiment of the person but rather an expression of  something beyond the person, beyond the rational constructs of modern civilization that have shaped our physical lives. When you stand and face an Eyfells’ sculpture be prepared to be intellectually, psychically and spiritually challenged. You are about to enter a reality that is both unfamiliar and irrational. It is truly the unknown, seemingly chaotic, which most of us will avoid at all costs.

I have no doubt now, that Jóhann Eyfells is as nimble, precise and swift with his understanding of the cosmos and the physical world we live in, as he was in the ring as a boxing champion in Iceland. It is with this almost ‘supernatural’ agility that he is able to conceptualize and execute all of his projects, whether it is his collapsions, in which ‘time’ as an abstract concept is visually revealed, his cairns, his rocks or his multiple installations of ‘industrial made’ found objects of massive proportions, sometime weighing up to 14 tons.

HMY_3810

And let me tell you, when I stop to think how a 92 year old, whose body is as fragile as porcelain, can manage to lift and precisely position these huge rusted steel remnants of an industrial age past to satisfy his aesthetic compulsion as an artist, I am often left speechless and astonished.

HMY_3806

Yes, indeed, he often sees the inherent beauty of something that would otherwise seem obsolete and discarded to most of us seemingly ‘forward thinking’ humans, and that is precisely what these objects have become to him, beautiful expressions of human engineering and brilliance. Recently, they have become necessary and critical components to articulating to the world our often unsettled and sometimes fearful relationship with the unknown and irrational. It does seem ironic that he uses the very elements that not only embody the rational and physical world, manufactured tools and elements of the industrial age, like giant turbine propellers, to open our minds to the unfamiliar seemingly insane world of Eyfells.

As a true artist, he tirelessly challenges our tendency towards complacency, brought on by the comforts and conveniences of the industrial, electronic and now, digital age. I see him as the Don Quixote of the 21st century, tirelessly and against all odds, confronting the rational world, except this time he does not represent a tragic character that ultimately gives in to ‘convention’ and renounces his ‘insanity’ to become a mere shepherd. No, instead, he selflessly provides us with the opportunity to see for ourselves how collectively we can easily be allured by the deceptiveness of rational thought, that it is ok to embrace the irrational, the unknown. He is our new hero, without a doubt, and it will take us a little while to realize this. Its highly probable that he will not see this revolution of thought take hold before he passes on, but I would hope that he will bare witness to a larger audience and more global appreciation of his accomplishments.

where-in-the-universe-81

If WE are willing and courageous enough to allow ourselves to be immersed into the unknown and uncharted aspects of our intellect and psyche, I promise, like I have, YOU will in fact see the light and wisdom of Jóhann’s aesthetic expression and art, and as a result, be forever transformed.

Today, thanks to the insight I’ve gained through Johann’s work and vision, I feel I am at a better place in my life, simply because I am not defeated by the fear of the unknown. In fact, it is that fear that signals that part of me to move forward instead of backward, to take risks and ‘leaps of faith’. It is also through those ‘leaps of faith’ that I discover new understanding, not only of myself, but of the cosmos around me. I will certainly miss Jóhann when he is no longer with us, but his insight and joy of life will eternally course through my veins.        Written by Hayden de M. Yates

Johann52614e

Photos by Hayden de M. Yates and Ian Candler

To see the trailer of the new documentary film, A Force in Nature, go to the following link:  https://vimeo.com/135532487

Iceland is recognizing one of their own

Johann’s sculpture has recently made headlines on the most important Icelandic publication, FRETTABLADID. See it below:

JohannNewspaper copyBe sure to also see the trailer for A Force in Nature here: https://vimeo.com/135532487

A Force in Nature – Official Trailer

PosterSee the new trailer for our upcoming film. Click on the following link:

https://vimeo.com/113375452

To make a donation toward the film, click the link below:

https://www.paypal.me/VitruviusCreations

Once Upon a Time in a remote little farm in Iceland

Ingólfur Eyfells, son of the artist Jóhann Eyfells, takes us on an in depth tour of the old Icelandic farm of his childhood, recollecting an event in which a horse saved his life. This is one of the stories that brings life and texture to A Force in Nature, a biopic of Jóhann Eyfells, an Icelandic sculptor working in the remote Hill Country of Texas.

Screen Shot 2012-06-22 at 2.42.27 AM

Ingólfur Eyfells and Hayden de M. Yates filming in Kalmanstunga, Iceland

https://vimeo.com/135532487

The Opposite of Murphy’s Law

The life and work of Jóhann Eyfells is a constant reminder that “if something can go right, it will go right.” Since the first day I met with my friend Jóhann, almost nine years ago, my life has taken a whole new meaning, and for the better, without a doubt.

JEyfells2See this teaser, A Force in Nature (password: spirals), a feature length documentary film looking at the life and work of Jóhann Eyfells.

An insight from Jóhann – Light, Sound and Movement

I recently spoke to the artist, and as usual, I come away inspired. He called to say that he had some hopeful news coming from Iceland that some individuals are taking a keen interest in his work. He seemed optimistic that more and more people are beginning to understand his vision, “almost to a tee.” Personally speaking, in the 8+ years I’ve known Jóhann, I’ve seldom thought of him as being anything other than optimistic.

As always, he asked how I was faring, and how both my children were. He was especially interested in knowing how my own pursuit of a Master’s degree in Motion Picture & Television Directing was getting on. I told him I was inundated with the richness of academia. With regards to A Force in Nature, I told him we were in full post-production and we expect to be close to finishing.

He paused for a moment and then said the following: “Directing is understanding darkness, silence, and stillness.”  At first, I did not get it, but he proceeded to elaborate and said that “light is a consequence of darkness, sound a consequence of silence, and movement a consequence of stillness.” Because light, sound and movement are so fundamental to the making of any movie, I was now re-engaged, thanks to Jóhann, as I reflect on the role I am playing as a director of our film, A Force in Nature. In short, I was re-ignited by a man almost twice my age as I step away from my own effortless tendency towards complacency.

http://vimeo.com/52449621

password: “spirals”

JEyfells

What is the role of the artist?

Image

The following is an interview of Jóhann Eyfells in the early 60’s, shortly  after he decided to leave architecture for sculpture.

Published Interview – October 17, 1964 – Visir (Icelandic newspaper) by Steinnun S. Briem

SB. What are you expressing with this?

JE. “I think that this work of mine does a better job of saying something about me, than I can say about ‘it’. It is very difficult to analyze and explain one’s own work. The artist expresses himself through a certain form, and through this particular form he says all he has to say. When I have expressed myself in sculpture, I cannot repeat the same thing in another form, that is to say in words. This does not mean that I don’t know what I am doing, but I express myself as a sculptor, not as a man with words. All outside influences, that affect me, all inner movements of the emotions, must inevitably find expression in my work. No artist can exist outside his times. The forces of his era always surround him. Perhaps one can detect anxiety and apprehension in my work; ruins, timelessness…how long will this live?…how long does mind live in matter? So much remains unsaid.”

SB. Are you a kind of artist-philosopher?

JE. “No, I am not. Some forms of visual expression base their life on intellectual reasoning, but my art relies more on the logic of feelings. It is two different things to know and to understand. We may know what we are doing, although we may not understand it. We turn on the light by pressing the switch, but we do not understand electricity. We understand nothing.”

“We are constantly taking new steps into the unknown, both in science and art, but do we really understand what is happening? I do not think so. That is why I cannot say much about my work. I can discuss my position and attitude towards art, but not the expression of what I sense. That is in my work and nowhere else.”

And here is some info about A Force in Nature, a feature documentary film due out in Spring or summer of 2013

You can join us on Facebook at Friends of Jóhann Eyfells
Twitter: @haydenyates

Take a look at a few scenes from our film below. Don’t forget the password:
http://vimeo.com/52449621
password: “spirals”