Groping in the Dark

Dear Reader:

Below are the contents of Jóhann Eyfells’ phone “conversation” with Joseph Bravo 3 days ago:

“When he called his first words were, “Joe are you there? I have something important to give you, write this down.”  So I immediately began to type on my iPad as he commenced speaking. It is a verbatim transcript of his exact words as they were delivered in a stream of consciousness. When he was done dictating, he abruptly ended the call.

Jóhann’s remarks were not simply a series of enigmatic non-sequiturs, but actually constituted a spontaneously conceived and delivered piece of free verse poetry. His thoughts have been separated into stanzas as well as adding punctuation and italics in order to make them more intelligible and to convey his emphasis as he extemporaneously dictated. But the words themselves occur in the exact order as he spoke them with neither additions nor omissions.

Jóhann Eyfells has been speaking to us in poetry all along and this accounts for why he is sometimes so difficult to follow. But when his thoughts are understood in the context of poetry rather than disjointed prose, they take on a coherence, a clarity and profundity that makes their revelatory context evident and their esoteric meaning attainable.

I am confident that you too will appreciate that Jóhann is as brilliant at poesy as he is at sculpture and that this fact will enable you to recognize a perhaps unanticipated aspect of his unique cosmological genius. Hopefully, this poetic epiphany will bring his oracular rhetoric into unprecedented focus to reveal the music of Eyfells’ spiraling spheres.” (Taken from Joe Bravo’s email to me, dated June 21, 2018)

IMG_4036.JPG(Photo by Tracy Costello – May 2018)

Groping in the Dark or An Upside Down World: A Sculpture by Jóhann Eyfells

“It has all the information you need to understand an Eyfells.
Such a piece has never been created in the world before.
It is equivalent to finding a new continent.
We are on the edge of understanding one another.
You are the only person in the world who has even a glimpse of where I am coming from.

Nobody has received a phone call of this significance before as if stealing from God himself.
This phone call is a ‘game changer.’
It puts everything in second place, it takes on the characteristics of first place.
What I’m telling you is five star!
This phone call is incomplete and in a way frantic.
It will settle down and become pure force recipes of absolute exactitude.

A gift of magnificent interiority.
A foundation that has no known causes, pure emergence of unanticipated magnificence.
A new way of imagining the magnificent becoming.
A total unknown force of totally unknown cause and logical beginning.
A cause of magnificent joy because it is a window into an entirely new scientific domain.
It is the understanding of the three titles of my pieces for the Venice Biennale.

Quivericity, the last source of any entirely momentary knowledge.
The source of all quivering that excites us.
The manifestation of endeavors, stillness and darkness.
Silence begets sound, stillness begets motion, darkness begets light.
Begetting is a magnificent gift!
It is not something that drains your energy.

We are on the edge a new opening.
Copernicus and Galileo removed the mystery by only presenting a bigger one.
They created an enigma rather than solutions.
I am creating solutions not enigmas.

We have to grasp at understanding without any particular knowledge.
All of this is only an elucidation of a temporary condition.
“I know I know nothing.”
All knowledge is incomplete.

This it pulls into reality, it is a knowledge of such.
It has a clarity of an absolute revelation.
The simpleness of its own symbolism.
The equivalent of a newborn baby.
It is simply without any question a magnificence, a miracle, only a birth.
The colloquial equivalent of Hayden’s “simply splendid!”
The hierarchy of all epiphanies.

Not for discussion at this moment,
It has to be digested first.
It has to be pulled into a new form of communication,
A new form of informative patterns.
It has an amazing new form of patterns, a double click.

This piece contains it all.
The newness of what I am saying has never been accomplished before,
The closest thing to permutation that is.
The opposite of Norman Mailer’s nonsense, I was jealous of him.

A newborn baby without speculations of any kind.
A remnant of a little bit of unknowable something.
The essence of a form,
The moment of eternity that negates everything that existed,
Pure forward motion without any known obstructions,
A moment of absolute fluidity.

Put what you are hearing in your own vernacular, up to a point.
Put it as if it were something you are reporting rather than regurgitating.
Put it in your own mouth.
It should be active rather than passive information.
You have to use it as your own material for creation,
A new creative energy in your soul.

An accomplishment of an unparalleled nature,
Beyond all relativity.
What is is.
It cannot be measured,
Cannot be judged.
A moment of absolute birth,
An absolute genesis of arbitrary nuances.
It is the essence of the poem on page 25.

Still slow in birth,
It hasn’t transferred itself into a new category.
Still is something rather than yet something else.
Still is the richest connotation ever.
In Icelandic, it is something yet to come.
Always ready for a new figure of speech …. always.

Let’s not contemplate this too much.
Put it out as a burst of unparalleled creativity,
Not a subject for contemplation,
A real material equivalent to spontaneous combustion,
A new combination of elements that create light or fire, but deeper,
A materialization of an immaterial event.

Do you think this is something that has the look of a beginning of something great?
Use it as a spring board,
Not something as a photograph to be reproduced without any new understanding.
It should not need any new understanding or elucidation.
It has its elucidation in its own vocabulary,
The essence of a cell birth,
The birth of a birth that I have been working with for seventy years,
The double click of an absolute certitude.

I do have something durable in my piece, Groping in the Dark.
You have to imagine the groping coming from below,
A strange kind of reversal.
The one observing is below,
The one groping from above.
Six fingers arranged in a triangular configuration,
Two corners single groping,
One corner double groping.

When those all coalesce, we have an absolute genesis of a moment,
Of the innards of infinity,
The moment of the instinct of infinity,
The moment that explains why there is something rather than nothing,
Some nuance of un-satisfaction behind infinity.
It doesn’t enjoy its own solitude.

How much information have you plotted down?
It is like peering into irrational self similarity, like a cross section of my rocks.
If you try to identify every element, you are lost.
It is like a constellation,
The better the telescope, the better you see but the more complex it becomes.

If you have a feeling of self sufficiency, let’s call it a day.
A colloquial version is sufficient, simply splendid!
Not terribly original but absolutely timely.
So if you spend a moment of self sufficiency then we can call it a day.
Self sufficiency is a good termination point.”

Jóhann Eyfells – June 21st, 2018

Coming Home

IMG_1701I don’t know whether to jump up in joy or cry in disbelief or both. In the Icelandic news, Jóhann Eyfells’ sculpture “Íslandsvarðan” has been officially acquired by the city of Reykjavik for a rather substantial sum of money, and is now to remain as a permanent installation on Faxaflói (Faxa Bay), on the northwest side of the capital city.

Why is this so important?

This is a huge victory for Jóhann Eyfells, an Icelandic sculptor, now almost 95, who has spent more than 70 years living in a semi self-imposed exile from his own childhood home and family.

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Jóhann at 94 (Photo by Tracy Costello)

With the expectation of helping with the family business upon his return, Jóhann at 23 was sent away to America by his mother to study Business Administration at U.C. Berkeley, California. Once there, everything changed. He would meet, Kristin, his eternal companion and wife of 56 years, and would eventually, contrary to ‘family expectations’ pursue a childhood passion for the creative process and find expression as a sculptor. For a short period, he would return to Iceland only to find himself misunderstood creatively and eclipsed by a younger generation of artists. America would become his permanent artist residence, both in Orlando, Florida and eventually Fredericksburg, Texas.

It’s a victory for artists all over the world, in which to create, to dedicate yourself entirely to the creative process does not always mean being spurned, tossed aside and forgotten.

2017_8_Sculpture9smIt’s a huge victory for Iceland, welcoming one of it’s own, ushering back the clarity and fine instinct that artists like Jóhann possess and who are able to intuitively channel the ‘unknowing’ in their creative processes, and boldly execute in their artistic expressions and bodies of work. No less important is Jóhann’s uncanny ability to find diverse means, expressions and materials to articulate his ideas and vision. Furthermore, his work also embodies everything that is intrinsically Icelandic in nature, such as the ongoing fluidity of the physical forces, destructive and creative, that give form and understanding to the human experience.

It’s a victory for art, that a sculpture like “Íslandsvarðan” is recognized for its intrinsic and aesthetic significance, in a world where ‘value’ in art often seems arbitrary and is dependent on the piece’s commercial and monetary success, a commodity to be traded by only those who can afford to buy it, not to enjoy it for it’s genuine artistic expression and depth. Are we turning a corner in the 21st century, where art and creative expression could be considered a critical part of our own human survival?

Who am I to judge, I am just another human being that finds individuals like Jóhann to be inspirational, who also give me pause to reflect and reason to go on living, joyfully.

Hayden de M. Yates (Co-Producer and Director of A Force in Nature)


A Force in Nature, as of September 2018, will be seen in select theaters and venues throughout North America, Canada and the US.

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For more details on future screenings and exhibitions email us at: filmmakershowcase@gmail.com or call (512) 966-9299.