We did it! “Best Documentary Film”

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Our film had its US premiere in Fredericksburg, Texas. It had a tremendous reception. It won the “Best Documentary” category at the 2017 Hill Country Film Festival. As the director and co-producer, I cannot say enough about the experience of watching our own film, A Force in Nature, in front of a live audience. It was a very moving and emotional moment, probably the most satisfying I’ve ever experienced in my entire life.

What a way to introduce this film to the world. It had its American premiere in Fredericksburg, Texas, the very spot where the film began filming, almost 10 years ago. On September 28 – October 8, 2017 the film will have it’s European Premiere at the Reykjavik International Film Festival where Jóhann Eyfells was born. This promises to be quite a homecoming for the artist and his priceless body of work.

 

I am a Thief

“I am a thief. I steal someone’s creation. I take someone else’s ‘success and make it my own.” Jóhann Eyfells

There is an inert and outward beauty in these so called found objects that Eyfells selects as his own. How is he able to recognize the inherent genius that created each of these objects? Is it God or is it Man? When each of these forms were initially created, they were designed and manufactured for a single function use to serve mankind. Jóhann Eyfells recognizes, not only the brilliant unambiguous engineering in each of these object, but also the inherent beauty of obsolescence. Most of these pieces share a common fate. They experienced a similar array of forces that it took to create, utilize and destroy them. Eyfells is merely there to bring these forces to light by displaying these objects in their various stages of disintegration and dissolution. He will also go as far as to give them new life and re-purpose them into functioning pieces of art. Thanks to Jóhann they begin a new life of artistic expression.

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(photo courtesy of Hayden de M. Yates)

Should you wish to participate towards the making of our feature film documentary, A Force in Nature, you can do so right here:

https://paypal.me/VitruviusCreations

My life with Jóhann

It is a rare moment when I can fully reflect on my life and acknowledge how a single human being has significantly influenced my life.  But after almost 10 years of knowing Jóhann Eyfells, as an artist and a human being, I have finally managed to do just that.

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The art of Johann Eyfells is not an embodiment of the person but rather an expression of  something beyond the person, beyond the rational constructs of modern civilization that have shaped our physical lives. When you stand and face an Eyfells’ sculpture be prepared to be intellectually, psychically and spiritually challenged. You are about to enter a reality that is both unfamiliar and irrational. It is truly the unknown, seemingly chaotic, which most of us will avoid at all costs.

I have no doubt now, that Jóhann Eyfells is as nimble, precise and swift with his understanding of the cosmos and the physical world we live in, as he was in the ring as a boxing champion in Iceland. It is with this almost ‘supernatural’ agility that he is able to conceptualize and execute all of his projects, whether it is his collapsions, in which ‘time’ as an abstract concept is visually revealed, his cairns, his rocks or his multiple installations of ‘industrial made’ found objects of massive proportions, sometime weighing up to 14 tons.

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And let me tell you, when I stop to think how a 92 year old, whose body is as fragile as porcelain, can manage to lift and precisely position these huge rusted steel remnants of an industrial age past to satisfy his aesthetic compulsion as an artist, I am often left speechless and astonished.

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Yes, indeed, he often sees the inherent beauty of something that would otherwise seem obsolete and discarded to most of us seemingly ‘forward thinking’ humans, and that is precisely what these objects have become to him, beautiful expressions of human engineering and brilliance. Recently, they have become necessary and critical components to articulating to the world our often unsettled and sometimes fearful relationship with the unknown and irrational. It does seem ironic that he uses the very elements that not only embody the rational and physical world, manufactured tools and elements of the industrial age, like giant turbine propellers, to open our minds to the unfamiliar seemingly insane world of Eyfells.

As a true artist, he tirelessly challenges our tendency towards complacency, brought on by the comforts and conveniences of the industrial, electronic and now, digital age. I see him as the Don Quixote of the 21st century, tirelessly and against all odds, confronting the rational world, except this time he does not represent a tragic character that ultimately gives in to ‘convention’ and renounces his ‘insanity’ to become a mere shepherd. No, instead, he selflessly provides us with the opportunity to see for ourselves how collectively we can easily be allured by the deceptiveness of rational thought, that it is ok to embrace the irrational, the unknown. He is our new hero, without a doubt, and it will take us a little while to realize this. Its highly probable that he will not see this revolution of thought take hold before he passes on, but I would hope that he will bare witness to a larger audience and more global appreciation of his accomplishments.

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If WE are willing and courageous enough to allow ourselves to be immersed into the unknown and uncharted aspects of our intellect and psyche, I promise, like I have, YOU will in fact see the light and wisdom of Jóhann’s aesthetic expression and art, and as a result, be forever transformed.

Today, thanks to the insight I’ve gained through Johann’s work and vision, I feel I am at a better place in my life, simply because I am not defeated by the fear of the unknown. In fact, it is that fear that signals that part of me to move forward instead of backward, to take risks and ‘leaps of faith’. It is also through those ‘leaps of faith’ that I discover new understanding, not only of myself, but of the cosmos around me. I will certainly miss Jóhann when he is no longer with us, but his insight and joy of life will eternally course through my veins.        Written by Hayden de M. Yates

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Photos by Hayden de M. Yates and Ian Candler

To see the trailer of the new documentary film, A Force in Nature, go to the following link:  https://vimeo.com/135532487

Iceland is recognizing one of their own

Johann’s sculpture has recently made headlines on the most important Icelandic publication, FRETTABLADID. See it below:

JohannNewspaper copyBe sure to also see the trailer for A Force in Nature here: https://vimeo.com/135532487

A Force in Nature – Official Trailer

PosterSee the new trailer for our upcoming film. Click on the following link:

https://vimeo.com/113375452

To make a donation toward the film, click the link below:

https://www.paypal.me/VitruviusCreations

Once Upon a Time in a remote little farm in Iceland

Ingólfur Eyfells, son of the artist Jóhann Eyfells, takes us on an in depth tour of the old Icelandic farm of his childhood, recollecting an event in which a horse saved his life. This is one of the stories that brings life and texture to A Force in Nature, a biopic of Jóhann Eyfells, an Icelandic sculptor working in the remote Hill Country of Texas.

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Ingólfur Eyfells and Hayden de M. Yates filming in Kalmanstunga, Iceland

https://vimeo.com/135532487

The Opposite of Murphy’s Law

The life and work of Jóhann Eyfells is a constant reminder that “if something can go right, it will go right.” Since the first day I met with my friend Jóhann, almost nine years ago, my life has taken a whole new meaning, and for the better, without a doubt.

JEyfells2See this teaser, A Force in Nature (password: spirals), a feature length documentary film looking at the life and work of Jóhann Eyfells.

An insight from Jóhann – Light, Sound and Movement

I recently spoke to the artist, and as usual, I come away inspired. He called to say that he had some hopeful news coming from Iceland that some individuals are taking a keen interest in his work. He seemed optimistic that more and more people are beginning to understand his vision, “almost to a tee.” Personally speaking, in the 8+ years I’ve known Jóhann, I’ve seldom thought of him as being anything other than optimistic.

As always, he asked how I was faring, and how both my children were. He was especially interested in knowing how my own pursuit of a Master’s degree in Motion Picture & Television Directing was getting on. I told him I was inundated with the richness of academia. With regards to A Force in Nature, I told him we were in full post-production and we expect to be close to finishing.

He paused for a moment and then said the following: “Directing is understanding darkness, silence, and stillness.”  At first, I did not get it, but he proceeded to elaborate and said that “light is a consequence of darkness, sound a consequence of silence, and movement a consequence of stillness.” Because light, sound and movement are so fundamental to the making of any movie, I was now re-engaged, thanks to Jóhann, as I reflect on the role I am playing as a director of our film, A Force in Nature. In short, I was re-ignited by a man almost twice my age as I step away from my own effortless tendency towards complacency.

http://vimeo.com/52449621

password: “spirals”

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Sigurður Pálsson – “To be alive is to Become…”

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“We were not intended to Be, but to Become”

We would like to thank Sigurður Pálsson for his beautiful contribution to A Force in Nature.

Born 30. 7. 1948 at Skinnastadur, Iceland, Sigurður Pálsson studied French in Toulouse and Paris 1967-1968, drama and literature at the Institute d’Etudes Théâtrales, Sorbonne, Paris 1968-1973 and again from 1978-1982, obtaining maîtrise and D.E.A. degrees. He also studied at the Conservatoire Libre du Cinéma Français, obtaining a cinema direction diploma. He was professor at the University of Reykjavik and the National Academy of Dramatic Art. Sigurdur Pálsson has also published thirteen books of poetry from 1975 to 2006.  Some of his poems have been translated  into French, Swedish, English, Danish, German, Bulgarian, Chinese, Estonian, Italian, Spanish. He is also a cinema producer.

He was nominated for the Nordic Council Prize for Literature in 1993, and for the Icelandic Literary Prize in 1995 and 2001 and finally in 2007 for Minnisbók (Notebook from Memory) for which he received the Prize. Minnisbók is a memoir of his stay in France during 1967-1982, a playful, bittersweet, funny and charming description of an époque. He was awarded the annual Literary Prize of the Icelandic Radio 1999 and the Booksellers’ Prize for Poetry, 2001. Selected poems were published in French in 1993 in a bilingual edition (Poèmes des hommes et du sel) by Editions de  la  Différence. A selection of Pálsson’s poems was published in Bulgarian in 2005 and in Italien (with texts by two other Icelandic poets) in 2006. A selection in Spanish, Vientos y Nubes, was published in 2008. Pálsson has written eleven theatre plays that have been staged from 1975  to 2008, many of them by the Reykjavik City Theatre while the two most recent ones, a much acclaimed play on the life of Edith Piaf, and the last one, Utan gátta, were put on by the Icelandic National Theatre. One libretto: The Moonlight Island, world premiere in 1997 in Beijing. Music by Nordic Council Prize Winner, Atli Heimir Sveinsson. Three novels: Parísarhjól (The Big Wheel of Paris) published in 1998, Blár þríhyrningur (Blue Triangle) in 2000 and Næturstaður (Night Lodging) 2002.

Pálsson has also produced two full-length features (in 1983 and 1992) by Kristín Jóhannesdóttir.  As in Heaven was selected in the Official Selection (Out of competition) in the Cannes Film Festival in 1992  and has won about twelve prizes in international film festivals. He has directed three TV films and several theatre plays.

Pálsson has translated over twenty titles from French into Icelandic, works by Camus, Genet, Adamov, Arrabal, Ghelderode, Feydeau, Bailly, Queffélec, Prévert, Éluard, Carrère, Augé, Deforges, Cordelier, Châtelet, Vinaver, Anne, Kvaran and Schmitt and also two plays by Arthur Miller. Sigurdur Pálsson was President of the Alliance Française of Iceland from 1976 to 1977. Chairman of the Writers’ Union of Iceland from 1984 to 1988.  He was awarded the three  years Honorary Stipend of the City of Reykjavik in 1987 and has several times been granted a Writer’s Stipend from the State of Iceland. He was made a Chevalier de l’Ordre des Arts et des Lettres in 1990 by the French Minister of Culture and Chevalier de l’Ordre National du Mérite in 2007 by the President of France.

http://vimeo.com/52449621  password: “spirals”